Monday, January 24, 2011

Number 12 On Alabama Team

3 to Rescue and Lotomán

We return to the repeated singing of the "Dominican film."
The premiere of the Rescue 3 and Lotomán, productions that have liked the public and, especially the latter, generated long queues at the cinemas, produce all kinds of commentaries.
A good movie can be as good or as bad as varied are the perceptions of who has the judges, marking criteria, the technical knowledge of film, the attitude towards the film in question, the way enjoyed the screening or not, the interest that represent the spirits of shrine to the corresponding. In short, the same work can have a thousand different interpretations if they see while thousand people with experiences, concepts and different ideas.

Jullier Laurent, Cinema Art Professor at the Faculty of Arts, Metz, France (author of What is a good movie? "Paidos Communication Film-167 suggests that a serious error in judging arises when a film is only emotionality that guides the trier,
Jullier says there are six criteria that must be taken into account for the serious prosecution of a film: success, technology, building, emotion, originality and consistency.
reflection comes to mind about the display of two films that have assaulted Dominican successfully cinema screens. Rescue


3 to January 6 was released in March to the Rescue, the achievement of a dream by Jorge and Luis Morillo, Dominican raycast founders, an entertainment production agency advertising that decided to do much more than illustrations for companies in the sector and raised achieve the first feature film in 3-D in the country.

Some, like Orlando Santos in portal http://www.cinedominicano.net/ questioning the story, which is, in our view, the best aspect of the Rescue 3 in therefore is a universal song of solidarity and friendship with all the intricacies that the four animals are the protagonists of history.

We, critical El Nacional, held that the aspect to improve is in animation and indicate that particularly the lack of synchronization between parliaments and the lips of characters you some close-ups and also in the movements psychomotor fine in general plans, pointing to a robotic must be overcome with practice, but 3 to the Rescue is undoubtedly a major advance in the local cinema and is enjoying a Dominican family who flock to enjoy this project, promoted now more than anything by the sincerity of word of mouth recommendation. Customers

censored Morillo artists have no idea of \u200b\u200bthe consistency and the professionalism, personal effort and family they had to do to complete your project, information that they, as part of its ethics, have not released or used in favor.

Lotomán
film Archie Lee, screenplay by Alejandro Andujar on original idea by Martin Diaz Bello, is another phenomenon that has attracted extreme views. Hipolito Delgado, a Dominican film critics, has changed his mind to see its role Lotomán premiere and walk recommending it to your page.

Armando Almanzar, veteran teacher criticism, applied his acerbic pen of critical text, with all their rights. José Nova in the Caribbean, said that he liked the tape to the public but has been discovered Artisan by critics, though not referred to those who have accomplished the dismemberment.

The tape has significant technical advances: photography and editing, sound and camera movement. There are two kits that are, as in any production (including a microphone body is silhouetted in the back of one of the kids doing the roles of the brothers actors (a fact not noted in their comments Almanzar caustic).

But we can aspire to a paragon of perfection against a human work? Neither is it possible to expect unanimity of criteria against the same work, the important thing is that they believe all they want and the tone that is, revealing that the work is not leaves no one indifferent.

Striving for perfection is
infinite. Never ends. And in terms of cinema, this criterion is permanent.
Meanwhile, congratulations to the Brothers Morillo and those who have taken the project forward Lotomán, both sanctified by the complacency of those who finally has a blunt verdict, paid weight to weight and enjoyed laughter laughter.


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